by
Clive Young
by Christopher Walsh. Choglamsar, Ladakh, Jammu & Kashmir State, India--A stream runs
behind the house I'm staying at in this town outside of Leh, one of the
major crossroads of Asia until the 1962 Sino-Indian war. It makes a
most soothing sound, like that of those "natural sound" machines,
although this one really is natural and wonderful to fall asleep and
awaken to.
by
Clive Young
By Clive Young.
Fans weren't the only ones shocked and dismayed by the passing of
Michael Jackson on Thursday, June 25; colleagues in the recording and
live sound industries were likewise saddened by the news that the pop
idol had suffered cardiac arrest at age 50.
by
Clive Young
Culver City, CA--The final mix for Transformers: Revenge of the Fallen at
Sony Pictures' Cary Grant Theatre paired effects re-recording mixer
Greg Russell with dialog and music re-recording mixer Gary Summers for
the first time. Helping distill the soundtrack for one of the most
anticipated movies of the summer were co-supervising sound editors
Ethan Van der Ryn and Erik Aadahl. Regular dialog and anything with a
vocal component fell under the purview of supervising dialog editor
Mike Hopkins, who worked with Van der Ryn and Aadahl on robot
vocalizations that required substantial processing.
by
Clive Young
Culver City, CA--The final mix for Transformers: Revenge of the Fallen
at Sony Pictures' Cary Grant Theatre paired effects re-recording mixer
Greg Russell with dialog and music re-recording mixer Gary Summers for
the first time. Helping distill the soundtrack for one of the most
anticipated movies of the summer were co-supervising sound editors
Ethan Van der Ryn and Erik Aadahl. Regular dialog and anything with a
vocal component fell under the purview of supervising dialog editor
Mike Hopkins, who worked with Van der Ryn and Aadahl on robot
vocalizations that required substantial processing.
by
Clive Young
By Steve Harvey. Culver City, CA--The final mix for Transformers: Revenge of the Fallen
at Sony Pictures' Cary Grant Theatre paired effects re-recording mixer
Greg Russell with dialog and music re-recording mixer Gary Summers for
the first time. Helping distill the soundtrack for one of the most
anticipated movies of the summer were co-supervising sound editors
Ethan Van der Ryn and Erik Aadahl. Regular dialog and anything with a
vocal component fell under the purview of supervising dialog editor
Mike Hopkins, who worked with Van der Ryn and Aadahl on robot
vocalizations that required substantial processing.
by
Clive Young
By Steve Harvey.
Culver City, CA--The final mix for Transformers: Revenge of the Fallen
at Sony Pictures' Cary Grant Theatre paired effects re-recording mixer
Greg Russell with dialog and music re-recording mixer Gary Summers for
the first time. Helping distill the soundtrack for one of the most
anticipated movies of the summer were co-supervising sound editors
Ethan Van der Ryn and Erik Aadahl. Regular dialog and anything with a
vocal component fell under the purview of supervising dialog editor
Mike Hopkins, who worked with Van der Ryn and Aadahl on robot
vocalizations that required substantial processing.
by
Clive Young
The highly-anticipated sequel, Transformers: Revenge of the Fallen, opens in theaters this Wednesday, June 24. All this week, the Pro Sound News blog goes 'behind the scenes' with the film's sound crew, starting with today's article. In the ensuing days, you'll find in-depth interviews with audio principals, explaining what it took to add thunder to the cinematic spectacle.
by
Robert Granger
by Seamus Fenton.
I have been a monitor engineer for some
time now. Though I don't consider myself an "RF guy," monitoring radio
frequencies seems to be a part of my job. Over the years, I have tried
to absorb as much information as possible, from the various people I
have worked with who do know about the black art that is the wobbly
world of RF (thank you, Sir Barold).
by
Clive Young
by Clive Young. It's hard to get people excited about
documentaries; say the word and folks start picturing PBS specials on
larvae mating habits. The few docs that do get people talking are the
ones that take a stand to make their point--just look at the
controversial works of Michael Moore and Morgan Spurlock. To a lesser
extent, you can add to that list Brett Gaylor, the writer/director
behind Rip: A Remix Manifesto, a new flick that examines U.S. copyright law. While the film hits DVD on June 30th, you can already download it for free at ripremix.com; that alone should tell you where Gaylor stands on copyrights.
by
Clive Young
By Frank Wells.
The hearts of Beatles fans the world over are all a flutter over this recent announcement by Apple/EMI: Apple Corps Ltd. and EMI Music are delighted to announce
the release of the original Beatles catalogue, which has been digitally
re-mastered for the first time,
by
Clive Young
By Clive Young. When we think of the recording industry,
audiobooks aren't the first format
that comes to mind. Nonetheless, plenty of audio pros make their living
from them; the question now is, for how long? Audiobook sales are down
20 percent so far this year, and according to the Associated Press, their revenues have dropped 47 percent. Can audiobooks be saved?
by
Clive Young
By Clive Young. My brother celebrated his birthday the other
night by dragging friends and family to Karaoke night at a local bar.
One of his pals didn’t join us, however, giving the brilliant excuse
that he didn’t want to risk catching Swine Flu from the microphone. We
all found this pretty amusing--but when I picked up that grungy SM58
and found plenty of spit on it, I suddenly understood where he was
coming from. Not to get too technical here, but one word came to mind:
“Eww.”
by
Chris Walsh
by Christopher Walsh It’s always nice to come across a collective of like minded musicians and audio pros sometimes they are both and one such is the Harlem Parlour Music Club. A group of approximately 14 musicians, HPMC is recording
by
Clive Young
by Clive Young. These days, we all hear a lot about recycling and “being green.” At the same time, thanks to the economy, many of us are also focused making the most of what we have. For the pro audio world, that usually means retooling that aging computer in the studio to squeeze a little more useful life out of it, or jerry-rigging the mixer in a ratty club to keep it going for a few more months. There’s an art to eking more out of less, and of course, we do a lot of it in the name of presenting art, too.For some artists, however, recycling and revamping waning audio technologies is more than just about use---it’s the art itself.
by
Clive Young
by Clive Young. More words have been written about the Beatles than any band; every nook and cranny of John, Paul, George and Ringo's private and professional lives has been explored by writers, but until recently, one area remained surprisingly unexamined: the actual recording of the band's classic albums. That problem is rectified by Recording The Beatles, a spare-no-expense, 500-page, 11 lbs. book, housed in a deluxe re-creation of a vintage tape box.
by
Clive Young
By Frank Wells. As I write, my home AES section, AES Nashville, has just concluded a successful regional event titled the Nashville Recording Workshop + Expo. Two days immersed in audio education targeted at the home studio owner (be they songwriters, musicians or budding engineers) raised an obvious question: When pro level tools are available to everyone, what is the role of the audio professional?
by
Clive Young
By Clive Young. The Virgin Megastore Times Square closed its doors for good yesterday.
by
Clive Young
By Christopher Walsh. Not too long ago, I took the L train into Brooklyn’s Bushwick neighborhood to visit Daptone Records. Home to Sharon Jones, house band the Dap Kings, the Sugarman 3 and several others, Daptone recalls another era in many
by
Clive Young
By Clive Young. I interviewed Mike D and Ad Rock of the Beastie Boys in 1992 one of my first assignments as a budding young writer. It was a complete disaster. The Boys were promoting what is now considered their
by
Clive Young
by Clive Young. What was the biggest song in the land during the first week of February? According to Billboard, it was Kelly Clarkson's "My Life Would Suck Without You," which moved 280,000 digital downloads. It was hardly the top tune, however; that honor went to a spur-of-the-moment creation, "Bale Out," by emerging producer/engineer RevoLucian.